ERASER, Chuck Russell, director/Warner 4K Anniversary Edition

Barry Forshaw

There was a time when the DVD revolution seemed to be the last word in home cinema physical media – then along came Blu-ray and had viewers wondering why we once thought so highly of its predecessor. The latest technological development, 4K, is not quite (on the surface) as revolutionary – as the picture quality of Blu-ray was already so analytical – but sometimes a disc comes along which can set new standards of technical excellence – as is the case with this eye-popping new version of Charles Russell’s pulse-raising thriller. Arnold Schwarzenegger fans will know what to expect (particularly if– as is likely – they will have caught the film in one of its earlier iterations), and the Austrian Oak delivers a monolithic but effective performance. Apart from Russell’s skill with action sequences (of which the film boasts a cornucopia), there is the added presence of two major Hollywood stars who may be somewhat past their best but still are utterly reliable: James Caan and James Coburn, both of whom supply a sharp level of characterisation. This 30th Anniversary edition includes new bonus content featuring the director, along with star Vanessa Williams reflecting on the making of the film 30 years later.

HIGHLANDER, Russell Mulcahy, director/ 4K Collector’s Edition StudioCanal

Barry Forshaw

Many filmmakers have tried to create instant cult movies, but such a strategy is often a fraught one. Cult movies are often brought about by the result of a combination of factors, and manufacturing those factors is more easily said than done. Russell Mulcahy’s spectacular Highlander, however, took very little time to establish itself as a cult film and produced a series of sequels. The first film remains the most entertaining: a smorgasbord of fantasy element with the unlikely casting of French/American actor Christopher Lambert as an immortal 16th century Scotsman, and the charismatic presence of Sean Connery as an equally long-lived swordmaster. The energy and spectacle are on display from beginning to end, and this spectacular new 4K edition ensures the film is looking better than it has ever done before.

Horror Films of the 2010s

Barry Forshaw

 

Horror Films of the 2010s by John Kenneth Muir, McFarland

The horror film genre – up to the beginning of the 2000s — has been thoroughly investigated and analysed by many writers (not least this one!), but as yet there has been no exhaustive coverage of the horror films of the 2010s . That situation has changed at a stroke with this extremely useful (and compendious) guide to the decade by John Kenneth Muir, published by McFarland.When a new breed of horror film was signalled by the phenomenal success of William Friedkin’s The Exorcist, a period of stasis for the Gothic genre followed. However,by the 2000s, a major revival of interest in the field (in both Britain and the United States) took place, a revival which proceeded with fresh vigour as the tropes of Gothic literature found new and inventive forms of expression. It is the latter trend which makes a study such as this ever more à propos, John Kenneth Muir’s pithy and informed analysis, beginning with And Soon the Darkness and ending with Us, is an invaluable resource, and its approach — often generous towards films which have been controversially received — is always welcome.