News

Eye of the Needle from the BFI

  

The BFI is to issue Eye of the Needle (directed by Richard Marquand) with Donald Sutherland and Kate Nelligan in a Dual Format Edition release on 24 September. Sutherland (Don’t Look Now) and Nelligan (The Prince of Tides) play star-crossed lovers torn between passion and allegiance in this heart-wrenching World War II-set thriller, played out against the Blitz-scarred 1940s backdrop of England and the windswept hills of the Scottish islands.The film comes to Blu-ray for the first time on 24 September, released by the BFI in a Dual Format Edition. Extras include an audio commentary, interview with Donald Sutherland and three wartime propaganda films.

Knightfall from Lions Gate

Control the Grail. Control the World… The legendary battle for the Christianity’s most prized relic – the Holy Grail – is told in all it’s bloody glory in lavish new TV drama KNIGHTFALL, out to own on DVD this September. The Knights Templar were the most powerful, wealthy and mysterious military order of the Middle Ages, entrusted with protecting the Grail and harbouring secrets capable of great destruction. KNIGHTFALL delves deep into the clandestine world of this legendary brotherhood of warrior monks.
From their bloody battles in the Holy Land to the betrayal that would ultimately lead to their tragic dissolution, the story of the Knights Templar has never been fully told until now! Produced in conjunction with the History Channel and with advice from expert Dan Snow KNIGHTFALL stars Tom Cullen (Gunpowder), Jim Carter (Downton Abbey), Pádraic Delaney (The Wind that Shakes the Barley), Simon Merrells (Spartacus), Julian Ovenden (Person of Interest), Olivia Ross (War and Peace) and Ed Stoppard (The Pianist).

Second Run to issue the stunning 1966 Slovak feature THE MIRACULOUS VIRGIN

Presented from a new 2K transfer, Second Run presents Štefan Uher’s stunning 1966 Slovak feature THE MIRACULOUS VIRGIN (Panna zázračnica). Released on August 20, THE MIRACULOUS VIRGIN is one of Slovak’s cinema’s most admired and controversial works. Adapted by The Sun in a Net director Štefan Uher from the renowned 1944 novella by Dominik Tatarka, the film is an exquisite, surreal odyssey through the Slovak art scene of the 1960s. The Blu-ray and DVD editions also features Uher’s breathtaking 1959 short film Marked by Darkness, plus all-new documentary The Story of ‘The Miraculous Virgin’,  an exploration of the film, the talents behind it and its legacy, produced by the Slovak Film Institute.

Harryhausen: The Movie Posters from Titan

Harryhausen: The Movie Posters    Richard Hollis; foreword by John Landis

There is no better writer to collate this handsome volume of posters for the memorable films of Ray Harryhausen than Richard Hollis, long one of the most astute commentators on the fantasy and science fiction genre. Harryhausen’s astonishing stop-motion effects created an army of fantastic creatures over the years and enhanced many films both good (such as Jason and the Argonauts) and others worthwhile only for his special effects. It’s something of a cliché to note that although CGI has replaced stop-motion animation with more seamless, realistic effects, the new creations in that medium lack the very individual character that Harryhausen created with his very hands-on (literally so) approach. And with the oversized format of Harryhausen: The Movie Posters, as we are able to appreciate the striking posters that drew so many of us into cinemas in the 1960s. What’s more, Richard Hollis has assembled several foreign posters which are often different from the more familiar US/UK posters. Ray Harryhausen has been much written about over the year, but this is something that will be new for most collectors, and it is very cherishable.

Harryhausen: The Movie Posters by Richard Hollis is published by Titan

 

New from Powerhouse, Eureka and Arrow

 

MINISTRY OF FEAR, Fritz Lang, director/Powerhouse Blu-ray  With Ray Milland, released after a mercy killing into a dark wartime London, the stage is set for an atmospheric and menacing thriller of the kind that became Fritz Lang’s métier when he escaped from Nazi Germany. And unpleasant Nazis are in the mix here, with Lang’s customary attention to detail making for a quixotic, highly diverting mix. It’s not vintage Lang, but anything by the director requires close attention, and aficionados will find plenty worthy of their time. Of course, it doesn’t hurt that the source novel is by Graham Greene. Writers high up the ladder of literary acceptability proved ingredients for the criminal mix that fuelled the British crime film – such as Graham Greene (1904-1991). Had Greene not been the author of the ‘serious’ novels (such as A Burnt Case and The Heart of the Matter) which marked him out as one of the greatest of all English writers, his ‘entertainments’ (as the author rather dismissively described them) would constitute a body of crime and thriller fiction almost without equal in the field. Early in his career, Greene introduced an element of the spy story into The Confidential Agent (1939), in which D, the agent of a Latin government (Republican Spain in all but name), figures in a narrative that was clearly influential on such later writers as John le Carré. The latter has long acknowledged Greene’s considerable influence on his work. Brighton Rock, with its brilliantly realised picture of a violent seaside underworld, is as strong a starting point for those new to Greene as anything he wrote, but such superbly honed thrillers as the basis of this Powerhouse issue, Ministry of Fear (1943), demonstrate an authority and mastery of the narrative form that makes most practitioners look mere journeymen. Despite the writer’s long association with the cinema, the number of first-rate films associated with his work is relatively few (Carol Reed’s The Third Man, of course, and Lang’s creditable stab at Ministry of Fear). A razor-sharp transfer.

WITNESS FOR THE PROSECUTION, Billy Wilder, director/Eureka Blu-ray  The recent Sally Phelps adaptation for television of this Agatha Christie classic was far darker than Billy Wilder’s film (very much in the manner of the earlier Phelps updates such as And Then There Were None), but Wilder’s adaptation is unalloyed joy from beginning to end — not least for the bantering relationship between husband-and-wife actors Charles Laughton and Elsa Lanchester as the acerbic, ailing judge and his fussy nurse. Their scenes are actually the best thing in the film, which is not to say that Tyrone Power and Marlene Dietrich do not acquit themselves well in the main plot, and courtroom dramas don’t come any better than this. Of course, most of us know the plot twists now (and if you don’t, they will not be revealed in this review), but they are still delicious. And those familiar with the film only from its television showings will be astonished at how much care Eureka have taken over this very crisp Blu-ray transfer. However much you may have enjoyed Sally Phelps’ television adaptation, this remains the definitive take on Christie’s ingenious piece.

HEATHERS, Michael Lehmann, director /Arrow  The first question to be asked, of course, is how does Heathers look in the early years of the 21st-century? The fact that it’s a time capsule from the 80s is part of its charm (look at the big hair on the women), but it’s not hard to see why the film has such a devoted following. As the obsidian-dark high school comedy Heathers celebrates its 30th anniversary, Arrow Video marks the occasion with this impressive restoration of the outrageous satire starring Christian Slater (True Romance) and Winona Ryder (Stranger Things). Modern audiences may wonder (as they possibly did when the film first appeared): can the Winona Ryder character be quite as naive as she seems in not seeing just what bad news Christian Slater’s rebel is, however appealing she finds his unorthodox (and increasingly murderous) behaviour? But her slow awakening to the fact that she is having a sexual relationship with a psychopath is still one of the pleasures of the film.

THE PYJAMA GIRL CASE, Flavio Mogherini, director/Arrow Blu-ray  The giallo field is full of curiosities, but this little-known film is a real curio. Arrow, who have done sterling service in issuing a host of these glossy Italian murder thrillers, have arranged the UK Blu-ray debut of a giallo set not in London (a favourite giallo destination) but down under, The Pyjama Girl Case is a complex murder mystery inspired by a real-life case. A tetchy retired cop played by Ray Milland (sans toupee and somewhat older than in the film that opened this column) persuades his reluctant associates that he can help in solving a case involving the mutilated corpse of a girl. In fact, in a genre noted for its gruesomeness, the only macabre element here is the hideously burned face of the murder victim seen at some length throughout the film (even, bizarrely when her naked corpse is displayed for gawping onlookers). Perhaps this is one for aficionados only, but there is no denying the beautiful quality of the transfer — a sine qua non for the company. Copious extras including a fascinating piece on internationalism in the giallo from Michael McKenzie.

VON RYAN’S EXPRESS, Mark Robson, director/ Twentieth Century Fox Blu-ray  Frank Sinatra was well-known for his impatience on the film set and his insistence on using the first take on almost every occasion led to some notably lazy work in his career. Not so here – this, like The Manchurian Candidate, is one of his very best films, and looks particularly striking in this new transfer. Frank Sinatra and Trevor Howard star in this classic war drama directed by Mark Robson. When US pilot Colonel Joseph Ryan (Sinatra) is shot down and placed in a German prisoner of war camp, he is more concerned with his own survival than escape. The top-ranking officer in the camp, he is initially reviled by his fellow British and American prisoners, who nickname him Von Ryan. However, Ryan eventually comes to lead them in a daring escape attempt, taking over from the commanding British officer (Howard), and the escapees face many hazards as they commandeer a train to make their way across Italy, closely followed by the Nazis.

THE ODESSA FILE, Ronald Neame, director/Powerhouse Blu-ray  When an author creates a groundbreaking first novel, it is a considerable challenge to follow it up. But Frederick Forsyth’s long and successful career since The Day of the Jackal has shown that it is a challenge he could pull off at intervals. Jackal sported one of the most unusual innovations in all fiction – the ultimate ‘high concept’ thriller, with an English hitman hired to assassinate President de Gaulle. The methodical detail of the book has been copied many times since, and Forsyth achieved later success with The Odessa File in 1974. The year is 1963, sometime after the Kennedy assassination. German crime reporter Peter Miller has access to the diary of a holocaust survivor who has committed suicide. Miller learns that the dead man, Tauber, had been incarcerated in Riga Ghetto, under the brutal command of Eduard Roschmann, ‘The Butcher of Riga’, and Miller’s search for Roschmann (who Tauber had seen just before his death) is to lead the reporter into mortal danger.

BIRDMAN OF ALCATRAZ, John Frankenheimer, director/Eureka Blu-ray  Any praise for this classic of the cinema is relatively superfluous, given the ironclad reputation it has acquired over the years. Difficult to know what to praise first: Burt Lanchester’s superb performance as the longtime prisoner and ornithologist Robert Stroud, John Frankenheimer’s typically assured direction or Elmer Bernstein supple and evocative score. If the film omits the real-life Stroud’s homosexuality, that is a forgivable omission, given that it is not Frankenheimer’s focus. Birdman is the kind of sophisticated and intelligent filmmaking that is becoming more rare in the cinema, and looks particularly good in this transfer.

211, York Alec Shackleton, director/Lionsgate  ‘211’ is the police code for robbery in progress, and the robbery in this crisply handled thriller is particularly memorable. The film was inspired by real-life events, and stars the always reliable Nicolas Cage as a veteran cop anticipating his retirement. But with his partner and son-in-law Steve in tow, a routine patrol is to end in an explosive situation. The film did not make a great impression in the cinema, but looks particularly good on the home screen and will certainly lead to a few fingernails being chewed.

 

We are the Martians: The Legacy of Nigel Kneale

We are the Martians: The Legacy of Nigel Kneale Neil Snowdon, editor & The Big, Big Giggle by Nigel Kneale 

Leaving aside writers from another century such as HG Wells, there is little doubt that the most significant of modern British science-fiction writers was the late Nigel Kneale, whose superlative writing and concepts – both on television then courtesy of Hammer Films brought a level of sophistication and intelligence to the genre which had become much rarer, banishing cliché. And many of Kneale’s innovations are still being sampled today (that’s a polite way of saying ‘being ripped off’), notably in the long-running TV series Doctor Who — which has cheerfully plundered the Kneale back catalogue for years. Electric Greenhouse and PS Publishing have made available two books which will tempt admirers – one much more than the other. The Big, Big Giggle is perhaps one for collectors only, as it is a television screenplay – and, accordingly laid out in that format. Much more essential for Kneale admirers. We are the Martians: The Legacy of Nigel Kneale in which Neil Snowdon curates an absolutely definitive guide to the writer’s entire career with contributions from such admirers as Mark Gatiss. It’s a book that will not only give pleasure for its own range of ambition but will send the reader back to the classic Nigel Kneale originals. (It should be noted that The Big Big Giggle is available as an ‘extra’ as part of the Deluxe Edition of ‘We Are The Martians’ which is signed by the contributors, and presented in a slipcase as a separate volume rather than as an appendix.)

Barry Forshaw

We are the Martians: The Legacy of Nigel Kneale Neil Snowdon, editor & The Big, Big Giggle by Nigel Kneale are published by Electric Dreamhouse and PS Publishing